Wednesday, 23 May 2012

Book Lovers' Quiz - May 2012

I regularly team up with fellow blogger and all round bibliophilic good egg Norfolk Bookworm to host a book quiz at the Norfolk and Norwich Millennium Library.

For those who can't be there, those who just like testing their quizzing acumen, and those wanting to test the water before booking, here are the questions. (Answers are in white below the question: highlight the - apparently - blank space to see them) 

Enjoy! And good luck.
Norfolk and Norwich Millennium Library
Tuesday 22nd May 2012

Round 1: Cats and Dogs

1) Montmorency accompanied who?
A: Three Men in a Boat

2) Cujo is a St Bernard dog featuring in the eponymous novel by which American author?
A: Stephen King

3) Koko and Yum-Yum are famous crime solving cats created by which crime author?
A: Lillian Jackson Braun

4) What is Odysseus’s faithful dog called?
A: Argos

5) Stelmaria, the snow leopard, is who’s deamon in Philip Pullman’s The
Northern Lights?
A: Lord Asriel

6) Who owns Greebo in the books by Terry Pratchett?
A: Nanny Ogg

7) What breed of dog was John Steinbeck’s canine companion in Travels with Charley?
A: French Poodle

8) What did Lord Bryon do when told, as a student, that he was not permitted to keep a dog whilst at Cambridge?
A: Kept a bear.

9) In Lewis Carroll’s Alice in Wonderland what is Alice’s kitten called?
A: Dinah

10) A library in Iowa adopted a stray cat who became a favourite with the customers, what appropriate name was he given?
A: Dewey

 
Round 2: Devouring Books: Beer and Bread (and other Drinks)
1.      In George Orwell’s Nineteen Eighty-Four, how is the nightmare totalitarian future reflected in the way beer is served
A: It’s served in litres and half-litres. Orwell was fiercely opposed to the metric system.

2.      What do Arthur Dent and Ford Prefect drink before escaping Earth on a Vogon demolition ship in The Hitchhiker’s Guide to the Galaxy?
A: Ale/Beer

3.      What is the name of the bread that Galadrial gives the Fellowship in The Lord of the Rings? Shaped into thin cakes, it is very nutritious, stays fresh for months when kept unbroken in its original leaf-wrappings, and is used for sustenance on long journeys.
A: Lembas Bread

4.      Who wrote The Life and Opinions of Tristram Shandy?
A: Laurence Sterne

5.      According to his own doctor, which French novelist, author of Le Pere Goriot and Le Cousin Pons, died of caffeine poisoning?
A: Honore de Balzac. Balzac drank coffee endlessly to fight what he saw as the pointless waste of time represented by sleep. As a result, he wrong ninety-one novels in his Comedie humaine series in just twenty years – and died at fifty-one

6.      What’s the connection between coffee and Captain Ahab’s first mate in Moby Dick?
A: Captain Ahab’s first mate is Starbuck – after whom the coffee chain is named, because the founders are fans of Melville’s novel.

7.      Which world dominating drinks brand inspired Mark Thomas’s book Belching Out the Devil
A: Coca Cola

8.       Who is the author of 2011 Orange Prize for Fiction winning The Tiger’s Wife?
A: Tea Obreht

9.      Persistently shortlisted for the Booker; yet to win. Author of The Little Stranger and The Night Watch
A: Sarah Waters

10.  What is the name of John Dos Passos’s 1925 novel that focuses on the development of urban life in New York City from the Gilded Age to the Jazz Age as told through a series of overlapping individual stories.
A: Manhattan Transfer

Round 3: A Right Royal Do
 1 - Who greet the Queen with the words “Oh, Ruler of Straight Lines!”
A: The Big Friendly Giant

2 – Which political party are elected in Sue Townsend’s The Queen and I that capitulates them into poverty and a house on a council estate?
A: The Republican Party

3 – In  which book does the Queen discover a love for literature, and a dislike for Ian McEwan, thanks to a mobile library?
A: The Uncommon Reader by Alan Bennett

4 – “She reminds me of the wind-up Chinese doll that Uncle Ted has brought Patricia back from Hong Kong – both glide over the carpet without revealing their feet and wear an expression of grave serenity.” The Queen is described at her 1953 coronation in which novel?
A: Kate Atkinson’s Behind the Scenes at the Museum

5 – Where does the Queen disappear to, renaming herself Gloria Smith, in Emma Tennant’s novel The Autobiography of the Queen?
A: St Lucia

6 – “Now that we crown her as our queen / May love keep all her pathways green. / May sunlight bless her days; / May the fair spring of her beginning / Ripen to all things worth the winning.” Which poet laureate penned these lines on the Queen’s coronation?
A: John Masefield

7 – Which author did the Queen describe as "exceedingly good" when she met her new poet laureate Carol Ann Duffy?
A: Rudyard Kipling

8 – Which Englishman, and politician, won the Nobel Prize for Literature in 1953?
A: Winston Churchill

9 – Which long running play, written by Agatha Christie had its premier in 1952?
A: The Moustrap

10 – Which historical fiction author has written books entitled: The White Queen and The Red Queen?
A: Philippa Gregory


Round 4: Second Childhood

1.      Which children’s author was a news correspondent during the Russian Revolution and went on to marry Trotsky’s secretary?
A: Arthur Ransome

2.      Which Canadian Province is home to Anne of Green Gables?
A: Prince Edward Island

3.      What children’s writer’s name was given to asteroid 43844 in 2006?
A: JK Rowling

4.      What kind of house do Hunca Munca and Tom Thumb vandalise in Beatrix Potter’s The Tale of Two Bad Mice?
A: A Doll’s House

5.      What do the boys use to start a signal fire in Lord of the Flies?
A: Piggy’s glasses

6.      Which children’s author wrote screen play drafts for the films You Only Live Twice and Chitty, Chitty, Bang, Bang?
A: Roald Dahl

7.      In Charlie and the Chocolate Factory, Charlie finds the last golden ticket – who finds the first one?
A: Augustus Gloop

8.      Who leads Mary Lennox to the key to the garden in Francess Hodgson Burnett’s Secret Garden?
A: The Robin

9.      Where does the original Winnie the Pooh, presented to Christopher Robin on his birthday in 1921, currently reside?
A: New York Public Library

10.  Dr Seuss wrote Green Eggs and Ham in response to a bet. What was it?
a)      That he couldn’t write a book in less than a day
b)     To persuade his young daughter, a fussy eater, to try new foods
c)      That there wasn’t a rhyme for ‘oranges’
d)     That he couldn’t write a book using 50 words of fewer
A: d)



 
Table Round 1  (total of 20 points; 2 points per question)

The VS Naipaul Test

In an interview at the Royal Geographic Society in 2011, VS Naipaul provoked fury by suggesting that women writers are 'sentimental' and 'unequal to me', he also claimed that 'I read a piece of writing and within a paragraph or two I know whether it is by a woman or not.'

For one point, can you identify whether the following paragraphs were written by a man or a woman? For a second point, can you identify who the author is?


1.
The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.
A: Male (A Bend in the River by VS Naipaul)

2.
Mrs. Dalloway said she would buy the flowers herself.
A: Female (Mrs Dalloway by Virginia Woolf)

3.
I am by birth a Genevese, and my family is one of the most distinguished of that republic. My ancestors had been for many years counsellors and syndics, and my father had filled several public situations with honour and reputation. He was respected by all who knew him for his integrity and indefatigable attention to public business. He passed his younger days perpetually occupied by the affairs of his country; a variety of circumstances had prevented his marrying early, nor was it until the decline of life that he became a husband and the father of a family.
A: Female (Frankenstein by Mary Shelley)

4.
Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.
A: Male (Lady Chatterley’s Lover by D.H. Lawrence)

5.
Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean toward each other, black and ominous, in the fading light. A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of a laughter more terrible than any sadness - a laughter that was mirthless as the smile of the Sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozenhearted Northland Wild.
A: Male (White Fang by Jack London)

6.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed.
A: Female (Persuasion by Jane Austen)

7.

A: Female (The Handmaids’s Tale by Margaret Atwood)

8.
The play - for which Briony had designed the posters, programmes and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper - was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.
A: Male (Atonement by Ian McEwan)

9.
Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and her profile as well as her stature and bearing seemed to gain the more dignity from her plain garments, which by the side of provincial fashion gave her the impressiveness of a fine quotation from the Bible, - or from one of our elder poets, - in a paragraph of to-day's newspaper. She was usually spoken of as being remarkably clever, but with the addition that her sister Celia had more common-sense.
A: Female (Middlemarch by George Elliot)

10.
The first place that I can well remember was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside; at the top of the meadow was a grove of fir trees, and at the bottom a running brook overhung by a steep bank.
A: Female (Black Beauty by Anna Sewell)


 
Table Round 2 (total of 20 points; 1 point per question)

Connections

Can you find what links the following literary people or things?
(1 point for each correct link)

Example
            “Every child in our world will know his name.”
            The author famous for Tropic of Cancer and Tropic of Capricorn
            Author of the No. 1 Ladies Detective agency books
            Former Doctor Who actor who also Kicked Pigs.
Connection: Professions
(Harry Potter, Henry Miller, Alexander McCall Smith, Tom Baker)

1.         Peter, Susan, Edmund and Lucy are evacuated to the house of an old professor.
            William Blake’s ‘fearful symmetry’.
Don Fabrizio Prince of Salina, in a 1958 novel set in Sicily around a hundred years earlier.
The autobiography of a Hollywood chimp.
A: Big Cats (The Lion, The Witch, and the Wardrobe, Tyger, The Leopard, Me Cheeta)

2.         Henry Williamson’s bestselling otter and the author of Charlie and the Chocolate Factory (spelled slightly differently)
            The author of Interview with the Vampire.
            A Tory politicians Parliamentary Affair.
The cause of great uncertainty and the first sign of trouble at Krishnapur in JG Farrell’s The Seige of Krishnapur
A: Indian Food (Tarka the Otter and Roald Dahl, Anne Rice, Edwina Currie, Chapatis)

3.         Walter Scott’s most famous novel
            Adrian Henri, Roger McGough and Brian Patten
            A bear from Peru
            A song by ABBA (oh, and also the 22nd of Sharpe’s adventures)
A: Train stations (Waverley, The Liverpool Poets, Paddington Bear, Waterloo...and Sharpe’s Waterloo)

4.         A family affair, this book was written by father, Johann Wyss, and edited and illustrated by his two sons.
            A John Fowles novel of 1969
The sonnet sequence that contains the poem beginning: ‘How do I love thee? Let me count the ways’
Michael Ondaatje wins the 1992 Booker Prize
A: European Nationalities (Swiss Family Robinson, The French Lieutenant’s Woman, Sonnets From the Portuguese, The English Patient)

5.         Alex and his droogs speaking Nadsat
The Joad family flee the Oklahoma dustbowl of the 1930s
A Series of Unfortunate Events
Not the only fruit
A: Fruit (A Clockwork Orange, The Grapes of Wrath, Lemony Snicket, Oranges are Not the Only Fruit (again))

6.         In 1985 Oliver Sacks has one of the few bestsellers in literary history about neurology.
            Tennyson’s Charge took place here
            Sherlock Holmes is famous for this
            F. Scott Fitzgerald’s Great...
A: Hats/Head Coverings (The Man Who Mistook His Wife for a Hat, Balaclava in the Crimea, Deerstalker, Gatsby)

7.         The best-known story in Annie Proulx’s Close Range: Wyoming Stories
            Where William Blake’s feet walk in ancient times
            Inman returns from the American Civil War in Charles Frazier’s first novel
            Kazuo Ishiguro’s first novel
A: Mountains/Hills (‘Brokeback Mountain’, ‘And did those feet in ancient time.
Walk upon England's mountains green’, Cold Mountain, A Pale View of the Hills)

8.         ‘The Road Not Taken’ (a poem)
            The man who circled the globe in approximately 115,200 minutes
            Richard Hughes’s novel of Jamaica
            Books by Peter Hoeg, Orhan Pamuk and David Gutterson)
A: Bad weather (Robert Frost, Phileus Fogg, A High Wind in Jamaica, Snow)

9.         Norwich resident and former Richard and Judy author of The Memory Garden, The Dream House, and The Glass Painters Daughter)
            Holden Caulfield’s sister in The Catcher in the Rye
            Philip Larkin’s Letters to...
            _______ and Wilson’s Anatomy and Physiology
A: Characters from the sitcom Friends (Rachel Hore, Pheobe, Monica, Ross)

10.       (professionally speaking)
            Mao Tse-tung
            Giacomo Casanova
            Philip Larkin
            Jorge Luis Borges
A: They were all librarians

11.       The author of Stig of the Dump
            Antoine de Saint-Exupery’s most famous creation
            Meg Cabot’s series of books for children
            The Hans Christian Anderson story in which Gerda rescues Kay
A: Members of the Nuclear Royal Family (Clive King, The Little Prince, The Princess Diaries, The Snow Queen)

12.       John Updike’s Harry Angstrom
            Richard Adams
            Mr McGregor’s enemy
            Margery Williams makes it real
A: Rabbits (Rabbit novels, Watership Down, Peter Rabbit survives a hair raising chase after raiding Mr McGregor’s vegetables in The Tale of Peter Rabbit by Beatrix Potter, The Velvetine Rabbit)

13.       Julian of Norwich
            Thomas de Quincey
            King James
            GK Chesterton’s Brown     
A: Religion (Revelations of Diving Love, Confessions of an English Opium Eater, The Bible, Father Brown)

14.       Laurie Lee’s 1969 follow-up to Cider with Rosie
            Arthur Koestler’s 1940 attack on Stalinism
            Ernest Hemingway’s 1932 celebration of bullfighting
            Mark Haddon’s bestselling novel, narrated by a child with autism
A: Times of day (As I Walked out One Midsummer Morning, Darkness at Noon, Death in the Afternoon, The Curious Incident of the Dog in the Night-time)

15.       Author of The Wasp Factory
            V for Vendetta and Watchmen
            Scottish chef with a penchant for swearing
            1970s magazine for girls and the author of the author of My Manchester United Years
A: Members of the 1966 World Cup Winning England football squad (Iain Banks, Alan Moore, Gordon Ramsey, Jackie & Bobby Charlton)

16.       One Day by David Nichols
            Ulysees by James Joyce
            Mrs Dalloway by Virginia Woolf
            Saturday by Ian McEwan
A: The action in each of these takes place on one day - in the case of One Day, this is the same day each year. (15th July, 16th June 1904,  we never know what the date is, Saturday 15th Feb, 2003)

17.       SJ Watson’s debut
A picture book by Adam Mansbach and Ricardo Cortes that was subsequently narrated by Samuel L Jackson and became an internet sensation
World War two evacuation feel-good by Michelle Magorian
Raymond Chandler’s crime noir epic
A: Going to Sleep (Before I Go to Sleep, Go the F**k to Sleep, Goodnight Mr Tom, and The Big Sleep)

18.       Graphic Novel (and television series) created by Tony Moore and Robert Kirkman
            What Haruki Murakami is talking about
            Erica Jong’s Fear
            Most of what happens in On The Road
A: Modes of transport (The Walking Dead, What I Talk About When I Talk About Running, Fear of Flying, Driving)

19.       Nathaniel Hawthorne’s A
            Margaret Attwood’s hoods
            Michel Faber’s epic novel about a prostitute
            Restoration (another Norwich connection)
A: Colours (The Scarlet Letter, Red – from The Handmaid’s Tale, The Crimson Petal and the White, Rose Tremain)

20.       Little pigs; Goldilocks and the bears; blind mice
            Luigi Pirandello’s characters
            According to Michael Morpurgo, how many lives does Montezuma the cat have?
The Shakespeare play that’s subtitled What You Will (and the play Shakespeare writes following the queen’s advice in Shakespeare in Love)
A: The 3 times table (Three Men in a Boat, Six Characters in Search of a Plot, The Nine Lives of Montezuma, Twelfth Night)

Sunday, 20 May 2012

Book Review: All That I Am by Anna Funder

“When Hitler came to power I was in the bath. The wireless in the living room was turned up loud so Hans could hear it in the kitchen, but all that drifted down to me were waves of happy cheering, like a football match. It was Monday afternoon.” 


All That I Am opens with history on a knife edge. The Golden Era of the Weimar Republic – artistic, progressive, intellectual, experimental, permissive, excessive, - is passing and a new one of extremes about to dawn. So well trodden is this history that we think we know what will follow, but one of the outstanding things about Anna Funder’s debut novel is that it reveals a side to the history hitherto largely uncovered: the early years of the Nazi’s terror, the persecution and expulsion of political opposition, the extent to which other countries were desperate not to antagonise Hitler, the long arm of the Gestapo reaching out further than anyone dared believe. As she did in Stasiland – a reportage collection of personal stories from behind the Berlin Wall that won the Samuel Johnson Prize for non-fiction – Funder casts a fresh and vibrant eye on forgotten stories. All That I Am is another marvellous book.
 
 The characters here belong to that Weimar generation: they are the World War One survivors who vowed that war could never be allowed to happen again, the political reformers who saw progressive social democracy as the antidote to imperialist conflict, the artists and journalists who captured the atmosphere of the 1920, the teenagers inspired by the language of the future.

All That I Am is narrated alternately by celebrated German playwright Ernst Toller in New York in 1939 as he seeks to re-write his memoirs, and an elderly Ruth Wesemann in 2001, who receives the recently rediscovered memoirs in the post. Reading these memoirs unlocks her memory and events come flooding back and soon overtake her. Between them, Ruth and Toller bring the unremembered – Hans Wesemann, Dora Fabian, Berthold Jacob, Mathilde Wurm (all whom existed though are here sometimes linked in ways they were not in life) – back to life. Their story is of bravery and conviction in the face of history, of desperate opposition to the reprisals that followed the Reichstag Fire and subsequent exile in London. There, powerless and with threats against their lives growing and the UK government turning a blind eye, they continue to struggle, desperate to warn the world against what is happening before it is too late.

The extent of Funder’s archival research is impressive, and her decision to novelise the events a wise one. It allows her to marry the personal stories of her characters with a broad brush stroke approach to history. Fact, interpretation and biography form the framework for All That I Am, but it is the fiction that makes it a great book. Funder imagines the characters back to life in vivid detail; readers will be quickly engrossed in their milieu, standing alongside them in terrified defiance.

This is white-knuckle storytelling. Through the personal narratives, Funder explores the experiences of the characters, the driving forces behind why and how people are able to be brave, and the results of that bravery on their lives and those around them. She adeptly explores the paradoxical mix of fragility and strength that can sometimes be the make-up of great people.

This is particularly the case with the heroine, Dora Fabian, a ‘sort of German de Beauvior: less sex, but more political”. She is driven by conviction in her cause, self-sufficient and no-nonsense. Ruth and Toller are each enthralled by her – ‘We were the two for whom she was the sun. We moved in her orbit and the force of her kept us going.’ – and so is Anna Funder. In an interview with The Scotsman, she describes the experience of coming across Dora’s story as leaving her ‘thunderstruck and irrational and besotted and intrigued.’ She is a compelling character and it is apparent that, for Funder as well as her characters, this book is a act of love, of recording her courage and self-sacrifice, celebrating and remembering her life.

The same desire to resurrect and testify to those past is apparent in the character of Ruth, whom Funder met in Ruth’s later years, and whose stories first turned her on to the possibility of this book. Ruth is the compassionate core of the novel, an unobtrusive observer of those around her. This personal sympathy could easily turn All That I Am into sycophantic fiction of the worst kind, but Funder impressively maintains a rounded warts-and-all view of her characters. Compassion is a constant theme and one feels that it is the challenge of doing justice to these figures that drove her to write. ‘Imagining the life of another is an act of compassion as holy as any’, says Ruth at one stage, ‘once you have imagined such suffering, how can you still do nothing?’

By presenting humanised stories, and enabling readers to experience these vicariously through the characters, fiction has amazing power to change our understanding of the world and compassion for others one person at a time. Funder and I appear to share this idealistic conviction. All That I Am is an exercise in proving the validity of this conviction. But more than this, it is a wonderful read.

The plot starts slowly, with more set-up than feels necessary, but builds and once the characters come into their own it swiftly becomes an involving, compassionate and wonderful novel of love, friendship, courage, espionage, and betrayal. It is both a page-turning thriller and a considered investigation of courage and conviction. The characters are tested at every step, and they respond in varying ways. Some turn, some break, none is perfect. In the end, as Wystan Auden notes to Toller: ‘All that we are not stares back at all that we are.’


All That I Am is one of five Summer Reads, presented by Writers' Centre Norwich. For more information, see www.summerreads.org.uk

Get More
Read an extract
Anna Funder in conversation at the Melbourne Writers Festival

Monday, 26 December 2011

Fugitive Pieces by Anne Michaels in quotes

I'm writing a review of Fugitive Pieces by Anne Michaels today, and thought I'd share some of the raw passages that most caught my eye. It is a wonderful book, full of beautiful prose and wise insight.


Enjoy!


When I woke, my anguish was specific: the possibility that it was as painful for them to be remembered as it was for me to remember them; that I was haunting my parents and Bella with my calling, startling them awake in their black beds.

It’s no metaphor to feel the influence of the dead in the world, just as it’s no metaphor to hear the radiocarbon chronometer, the Geiger counter amplifying the faint breathing of rock, fifty thousand years old.

At sunrise the Parthenon is flesh. In moonlight it is bones.

Nothing is sudden. Not an explosion – planned, timed, wired carefully – not the burst door. Just as the earth invisibly prepares its cataclysms, so history is the gradual instant.

I already knew the power of language to destroy, to omit, to obliterate. But poetry, the power of language to restore: this was what both Athos and Kostas were trying to teach me.

While walking through the city, they discovered that they shared the same ideas about geography and pacifism, the belief that science must be used as a peace measure, what Taylor came to call his “geopacificsm.”

Does it matter if they were from Kielce or Brno or Grodno or Brody or Lvov or Turin or Berlin? Or that the silverware or one linen tablecloth or the chipped enamel pot – the one with the red stripe, handed down by a mother to her daughter – were later used by a neighbour or by someone they never knew? Or if one went first or last; or whether they were separated getting on the rain or off the train; or whether they were taken from Athens or Amsterdam or Radom, from Paris or Bordeaux, Rome or Trieste, from Parczew or Bialystok or Salonike. Whether they were ripped from their dinning-room tables or hospital beds or from the foest? Whether wedding rings were pried off their fingers or fillings from their mouths? None of that obsessed me; but – were they silent of did they speak? Were their eyes open or closed?
    I couldn’t turn my anguish from the precise moment of death. I was focused on that historical split second: the tableau of the haunting trinity – perpetrator, victim, witness.
    But at what moment does wood become stone, peat become coal, limestone become marble? The gradual instant.

To be proved true, violence need only occur once. But good is proved true by repetition.

Love makes you see a place differently, just as you hold differently an object that belongs to someone you love. If you know one landscape well, you will look at all other landscapes differently. And if you learn to love one place, sometimes you can also learn to love another.

There's a moment when love makes you believe in death for the first time. You recognize the one whose loss, even contemplated, you'll carry forever, like a sleeping child. All grief, anyone's grief...is the weight of a sleeping child.

Any given moment - no matter how casual, how ordinary - is poised, full of gaping life.

I'm naive enough to think that love is always good no matter how long ago, no matter the circumstances.

In Michaela's favourite restaurant, I lift my glass and cutlery spills onto the expensive tiled floor. The sound crashes high as the skylight. Looking at me, Michaela pushes her own silverware over the edge. I fell in love amid the clattering of spoons....

Though the contradictions of war seem sudden and simultaneous, history stalks before it strikes. Something tolerated soon becomes something good.

Reading a poem in translation," wrote Bialek, "is like kissing a woman through a veil"; and reading Greek poems, with a mixture of katharevousa and the demotic, is like kissing two women. Translation is a kind of transubstantiation; one poem becomes another. You choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.

When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.

The shadow past is shaped by everything that never happened. Invisible, it melts the present like rain through karst.

Tuesday, 13 December 2011

Sunday Supplement (on Tuesday...)

I thought I had posted this on Sunday but it turns out I pressed save instead - never get a man to do a monkeys job... - so here is my slightly late contribution to the debate around the TS Eliot Prize.


When Alice Oswald and John Kinsella withdrew from the shortlist of the TS Eliot prize last week, citing a moral objection to the sponsorship by hedge fund firm Aurum, I instinctively supported their decisions. It may be easy to be cynical and say that Oswald particularly has gained more publicity having done so than she ever could have had she won the prize, but that is too glib an answer. Following one's moral convictions is never easy and acting upon them is vital to healthy debate accross society. We each have metaphorical lines in the sand that, when transgressed, we must oppose. And at the moment, I suspect their is lots of sympathy with the anti-investment bank and hedge fund stance they have taken. I'm personally uncomfortable with the fact that my football team, Totttenham Hotspur, are currently sponsored by two investment banks.

And yet. The more I have thought about it the less convinced I am of the value of Oswald and Kinsella's actions. Corporations are guilty of conducting many practices with which I disagee, and investment banks are one of those. They are a major step down from international arms traders who do only bring about destruction - at least investment banks have contributed to increasing wealth in the past, albeit in a morally questionable way - and, as such, in my books not as clear a target for protest, but there is little question that opposition to their actions can be justified on anti-capitalist lines. They are lines I support. And the Occupy action around the world targeted them effectively.

The problem I have is that Oswald and Kinsella's process will fall on deaf ears because it in no way hurts Aurum. It only hurts the Poetry Book Society - organisers of the award - at a time when the removal of Arts Council funding has already hit them hard. And in hurting PBS, this action also hurts the arts in general.

With a few limited exceptions, the arts in the UK are not financially sustainable without public funds or private sponsorship. Patronage is the only way many important programmes can exist. It is not ideal, but it is a reality and society is better for these programmes existing. The arts a major source of income for the UK, directly or indirectly we all benefit from investment in them. So to protest against patronage of the arts is both counter productive and to fight on the wrong terms. If our qualm with business is their socially irresponsible quest for profit over all else, then shouldn't we suppport sponsorship as a positive and socially resonsible practice and encourage more of it, rather than throwing it back in their faces?


Protest against Aurum. Protest against the inhumanity of the capitalist money-mindset, but if you are going to do so, do so in a way that hurts them. Take to the streets, protest for laws to prevent irresponsible investment practices. Or protest against cuts to arts budgets UK wide. But don't make an already difficult situation more difficult for the PBS. In doing so, they may turn other organisations away from a sponsorship that allows great art to happen.


Sunday, 27 November 2011

Sunday Supplement - On the power of great art


This morning I sat down to write my first Sunday Supplement for a few weeks. But as I was typing I heard the terrible news of the apparent suicide of Gary Speed and talking cerebrally about literature lost its importance. I put the computer down and shed a tear as the Swansea and Villa players marked their minute’s silence.

It is strange that the loss of a man I never met, who never played for my team or directly impacted on my life, could leave me so utterly shocked. But his has. Gary Speed was one of those consummate professionals that have formed the bedrock of football over the last 20 years. Whether depression is a cause here or not is still to be identified, but the fear is that the silent killer has ensnared another person without anyone knowing. Loss of life is always tragic, when it is at your own hands it is even more so.

I have a tendency to over-identify with music. This evening has been one of those occasions. I’m Wide Awake It’s Morning by Bright Eyes is an album I often turn to and it captures much of what I’m feeling today. That post-socialising dissolution where you fearfully remember every dumb thing you might have said and long for company to keep the fears at bay. The exhaustion that comes with a little too much alcohol, the Sunday morning pillow-day need for comfort and warmth. And most of all the shock of a life ended too soon.

Bright Eyes is a rare and brilliant poet-songwriter. At heart he’s a beat poet, the spirit of Kerouac for a new millennium with a heart that feels too much and wants from the world something it cannot give. Yet disappointment never blunts his optimism for too long. There’s some Bob Dylan in him, too, and many others. Listening to this sublime album reminds me of wonder of music.

I’m not like Bright Eyes. I’m a quiet and insular person and generally plough a pretty steady field. That’s what I love about art. Great art puts you in the body of another person and lets you see the world through their eyes and your eyes at the same time. Great art lets you be someone you are not and feel what it is like to be them.

Come tomorrow I’ll wake up excited to start the week. But Gary Speed will not. I’m not sure what the point of this blog is. Perhaps it is 42. 

Like life, sometimes things are just what they are.

Tuesday, 22 November 2011

Book Lovers' Quiz - November 2011

I regularly team up with fellow blogger and all round bibliophilic good egg Norfolk Bookworm to host a book quiz at the Norfolk and Norwich Millennium Library.

For those who can't be there, those who just like testing their quizzing acumen, and those wanting to test the water before booking, here are the questions. (Answers are in white below the question: highlight the - apparently - blank space to see them) 

Enjoy! And good luck.
 
 
Round 1: ‘All the World is a birthday cake – so take a piece but not too much.’
George Harrison

1) At the start of which book is the main character about to celebrate his eleventyfirst birthday?
A: The Lord of the Rings: The Fellowship of the Ring

2) “Doest thou think because thou art virtuous there shall be no more cakes and ale?” are lines from which Shakespeare play?
A: Twelth Night

3) Which Pulitzer Prize winning poet said “a diplomat is a man who always remembers a woman’s birthday but never remembers her age?
A: Robert Frost

4) Which Australian outlaw is the narrator of Peter Carey’s 2001 Book Prize winning novel?
A: Ned Kelly

5) Geraldine Brooks’ 2001 novel Year of Wonder is about which devastating epidemic?
A: The 1665/66 Plague

6) Which literary bear entertains his guests at his own party with a series of magic tricks – all of which go horribly wrong?
A: Paddington

7) Which 2001 novel by UEA alumni Ian McEwen ends at the main characters 77th birthday party?
A: Atonement

8) Which television quiz show does the plot of David Nicholl’s 2003 book Starter for 10 revolve around?
A: University Challenge

9) Which author’s novel And Then There Were None originally had a far more controversial title?
A: Agatha Christie

10) Which playright premiered his play The Birthday Party in Cambridge in 1958?
A: Harold Pinter


Round 2: Anything You Can Do, I Kazoo Better
In this round, we read lines of dialogue from plays or film adaptations of books. However to make it harder the lines I read were replaced with a kazoo. 
Identify the book and author for each of the following

1)
SARAH: First principles, Clarice. Simplicity. Read Marcus Aurelius. Of each particular thing ask: what is it in itself? What is its nature? What does he do, this man you seek?
SAM:
SARAH: No. That is incidental. What is the first and principal thing he does? What needs does he serve by killing?
SAM: 
SARAH: No! He covets. That is his nature. And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer now.
SAM:
SARAH: No. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? And don't your eyes seek out the things you want?
A: The Silence of the Lambs by Thomas Harris

2)
SARAH          She's a replicant, isn't she?
SAM              
SARAH          I don't get it, Tyrell.
SAM               
SARAH          Twenty, thirty, cross-referenced.
SAM               
SARAH          [realizing Rachael believes she's human] She doesn't know.
SAM               
SARAH          Suspect? How can it not know what it is?
A: Do Android’s Dream of Electric Sheep – Philip K Dick

3)
SARAH          I could have got more out. I could have got more. I don't know. If I'd just... I could have got more.
SAM               
SARAH          If I'd made more money... I threw away so much money. You
have no idea. If I'd just...
SAM               
SARAH          I didn't do enough!
SAM               You did so much.
A: Schindler’s Arc by Thomas Keneally

 4)
SAM             
SARAH          Magic Mirror: Famed is thy beauty, Majesty. But hold, a lovely maid I see. Rags cannot hide her gentle grace. Alas, she is more fair than thee.
SAM              
SARAH          Magic Mirror: Lips red as the rose. Hair black as ebony. Skin white as snow.
SAM               
A: Snow White and the Seven Dwarves by Brothers Grimm

5)
SARAH          I do bite my thumb, sir.
SAM               
SARAH          [Aside to GREGORY] Is the law of our side, if I say ay?
GUEST           No.
SARAH          No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.
GUEST           Do you quarrel, sir?
SAM               
SARAH          If you do, sir, I am for you: I serve as good a man as you.
A: Romeo and Juliet by William Shakespeare


Round 3: American Literature

1.      Q: In which of Nathaniel Hawthorne’s novels does the heroine Hester Prynne appear?
A: The Scarlet Letter

2.      Q: Who wrote the classic anti-slavery novel Uncle Tom’s Cabin?
A: Harriet Beecher Stowe

3.      Q: Which prolific American poet was perhaps best known for her dark novel The Bell Jar?
A: Sylvia Plath

4.      Q: Who wrote the words, “Take thy beak from out my heart, and take thy form from off my door!' Quoth the raven, `Nevermore.'”
A: Edgar Allan Poe

5.      Q: Which author of A Moveable Feast and The Sun Also Rises was also an accomplished boxer?
A: Ernest Hemingway

6.      Q: Which Jazz Age novel by F. Scott Fitzgerald ends with the lines: “And so we beat on, boats against the current, borne back ceaselessly into the past.”
A: The Great Gatsby

7.      Q: Which Cormac McCarthy novel won the 2007 Pulitzer Prize for fiction?
A: The Road

8.      Q: Who wrote the story of Holly Go-Lightly and her glamorous escapades in Breakfast at Tiffany’s?
A: Truman Capote

9.      Q: What is the titular name of the protagonist in John Updike’s famous quartet of novels?
A: “Rabbit”

10.  Q: Which Upton Sinclair book is an exposé of the meat packing industry?
A: The Jungle



Round 4: Autumn

1)      Whose poem entitled ’To Autumn’ starts with the line: “season of mists and mellow fruitfulness””
A: John Keats

2)      Which Edith Wharton novel opens at Grand Central Station in September? (It was a fairly recent film with Gillian Anderson)
A: Edith Wharton

3)      Tove Jansson’s autumn book about the Moomins is set in which month?
A: November

4)      Which comic book series follows the story of a resurrected Guy Fawkes?
A: V for Vendetta

5)      Who or what is Fawkes in JK Rowling’s Harry Potter series?
A: A phoenix

6)      Which author, who wrote the award winning Graveyard Book, celebrates his birthday today?
A: Neil Gaiman

7)      Which First World War poet wrote ‘Anthem for Doomed Youth’?
A: Wilfred Owen

8)      Life is defined as “a spiritual pickle preserving the body from decay” in which dictionary?
A: The Devil’s Dictionary

9)      The Hunt for Red October was released in cinemas in April 1990, but who wrote the book it is loosely based on?
A: Tom Clancy

10)  Which American author more famous for his dystopian and science fiction novels wrote The Halloween Tree – a children’s fantasy tale where 8 friends travel through time and space experiencing Halloween in different times and cultures as they try to rescue their friend?
A: Ray Bradury


 
Table Round 1 (total of 20 points)

Only Connect Connecting Wall
(based on the popular BBC4 quiz)

This Connecting Walls consist of 16 clues.
You must:
1 – Sort the 16 clues into four connected groups of four
2 – State what connects each of those four groups

Although some groups might appear to have more than four possible answers, there is only one configuration that allows all clues to be sorted into four groups of four. This is what you are looking for.

Scoring:
3 points for each correctly solved group
(1 point for three identified from any individual group)
2 points for each correctly identified connection


Arthur C Clarke
Ted Hughes
Lewis Carroll
Samuel Johnson
Margaret Mitchell
Ellis Bell
Harper Lee
Carol Ann Duffy
Stephen King
George Orwell
Mark Twain
Arundhiti Roy
Andrew Motion
Emily Bronte
John Betjeman
Roald Dahl

 A:
A:
Poet Laureates – John Betjeman, Carol Ann Duffy, Ted Hughes, Andrew Motion

Female authors who only wrote one novel – Emily Bronte, Harper Lee, Margaret Mitchell, Arundhiti Roy

Authors who gave their names to Book Prizes – Arthur C Clarke (Sci Fi), Roald Dahl (Children’s funny books), Samuel Johnson (BBC Non-Fiction), George Orwell (Journalism/Politics)

Pseudonyms – Ellis Bell, Lewis Carroll, Stephen King, Mark Twain



 
Table Round 2
Sound and Vision

1.      Who is this?

A: Frank Zappa
(1 point)

2.      Name the five James Bond films which have a one word title.
A: Goldfinger, Thunderball, Moonraker, Octopussy,  Goldeneye
(5 points total, one point for each correct answer)

3.      What film does this poster refer to?
A: The Shakshank Redemption
The film is based on a short story by which author?
A: Stephern King
(2 points total, one point for each correct answer)

4. Who is this?
A: Pete Best
For which band was he drummer?
A: The Beatles
Who replaced him as drummer of this band?
A: Ringo Starr
(3 points total, one point for each correct answer)



 

5. What film is this image from?
A: Pulp Fiction
(1 point)

6. Name the artist and title of this album
Artist:                         Pink Floyd
Album Title:             Meddle
(2 points total, one point for each correct answer)

7. Name the artist and title of this album
Artist:                         The Rolling Stones
Album Title:             Exile on Main Street
(2 points total, one point for each correct answer)


8. Whose debut album No Angel was the biggest selling release of 2001?
A: Dido
(1 point)

9. Which two epic novels/series had their first instalments released in 2001?
A: Harry Potter and the Philosopher’s Stone
A: The Lord of the Rings: The Fellowship of the Ring

Which of these is the highest grossing film series of all time?
A: Harry Potter
(3 points total, one point for each correct answer)